John Carpenter AOL Interview
OnlineHost: Your emcee tonight is Judi
OnlineHost: John Carpenter's Escape From L.A. marks filmmaker John
Carpenter's 18th feature as a director. He has also composed the scores for
fifteen of his film productions. To learn more about his current projects,
please welcome John Carpenter to AOL Live!
AOLiveMC11: Welcome to AOL Live, John Carpenter!
JCarpentr: I'm very pleased to be here.
AOLiveMC11: Ready for some questions from our audience? We've got lots of them!
JCarpentr: I am totally ready.
Cmndr: Hi John! Is Nick Castle an actual person or is he a
JCarpentr: Nick Castle is an actual person. He and I went to film school
together at USC from 1968-1972. He is now a director in his own right with
features like Dennis the Menace, Last Starfighter, and Tap.
Willi424: Hey John! We're Dan and Adam, and we're huge
fans! Did you ever imagine that Halloween would be so immensely popular
almost 20 years after its original release, and have you ever considered
re-releasing it to theaters in 1998 for its 20th anniversary?
JCarpentr: Thanks for the kind words. I never realized when we were making
Halloween that it was going to be what it turned out to be. Unfortunately,
the sequels are pretty grim, so there are no plans to re-release it.
JediPirate: John, first of all, you are one of the coolest
moviemakers of all time! Second, you've made different types of movies, from
horror to action to science fiction. Which type of movie is the most fun to work
JCarpentr: Oh, I suppose my favorite kind of movie to work on is western, but
since I've never done one, I would have to say sci-fi is my first love.
MarkExact: What was one of the most satisfying moments for
you creatively as a filmmaker?
JCarpentr: Oh boy, that's a very hard question to answer. I think the most
satisfying part, creatively or otherwise, of making movies is finishing them and
sending them out into the theaters.
MarkExact: How many of your own films did you help score,
and did you become interested in music before, after, or along with filmmaking?
JCarpentr: Then I get to take a long vacation.
AOLiveMC11: Go ahead with question already shown.
JCarpentr: I have scored 15 of my own films, either alone or with someone else.
I have been in love with music since I was very young, and, at one time, played
in a small rock- and-roll band back in Bowling Green, Kentucky.
JediPirate: Do you have any ideas for any future movies?
JCarpentr: My next project is going to be The Mutant Chronicles, a sci-fi
adventure set in the distant future.
JMRCMR: What was cut from Halloween II, and will
there ever be a laserdisc, widescreen edition? I've seen extra footage.
JCarpentr: It's been so long now, I can't remember. But if there's enough
demand, there will be a widescreen version.
MAlt64057: Mr. Carpenter, out of all movies you produced,
did you ever have a bad day on the set? And if so, what happened?
JCarpentr: I have had many bad days on the set, but since I don't produce movies
(I direct them}, most of my days are filled with joy and happiness.
NCescape2: Have you seen the Halloween Homepage on
the internet? If so, what did you think of it?
JCarpentr: I have not seen that. However, I will have a website about to open in
September on the WWW, and Escape From L.A. has a website at http://www.escape-la.com.
It has a great L.A. maze game, stills from the movie, and a trailer to download,
if you want.
AWilli424: Dan and Adam: Is there any reason as to why you
choose to direct so many of the same actors in your pictures?
JCarpentr: I really love working with good actors, people who are friends, and
upon whom I can depend for great performances.
RAven0875: John, now that you and Kurt have resurrected
Snake, is there any chance of Jack Burton and The Pork Chop Express making
another run through Chinatown?
JCarpentr: Kurt and I both love Big Trouble in Little China and would be
more than interested in exploring the idea.
UninTY: Since the ending of your 1983 film Christine
was left "open" for a sequel, I was wonder if at any time there were plans
to construct one?
JCarpentr: No plans for a sequel to Christine.
OTTO WY: I am impressed with you composing your own music
with your movies. I find that just as fun as directing films. How do you go
about finding your melodies?
JCarpentr: Oh boy, that's a good question. Primarily, I find my melodies like I
find any other kind of artistic inspiration: from within. As a musician, I am
the cheapest and the fastest I know.
EBerns697: Mr. Carpenter, why do you work with Kurt
Russell so much?
JCarpentr: I work with Kurt because I love him very much, he's a great actor,
and he secretly gives me all his money. Just kidding.
NCescape2: Is Bronco Billy available on video?
You're the best director ever.
JCarpentr: Thank you very much for the compliment. Bronco Billy is not
available on video, but you can rent a 16mm version from USC.
UninTY: I was wondering. Have we seen the last of
Michael Myers or will there be another Halloween someday?
JCarpentr: Well, that's a question I really can't answer. You just never know.
EBerns697: What is your favorite movie that you have
JCarpentr: I love each one of my movies as you might love a child. I make them,
they grow up to be 18, I kick them out of the house and into the theaters, and
tell them to get a job. I do have, however, a few particular favorites,
including The Thing and They Live.
MarkExact: What, if anything, would you say is absent from
films today in comparison to the 1970's?
JCarpentr: Films of the '90s, more than often, are programmed entertainment with
happy endings that have been market-researched into Muzak. I applaud the new,
young, independent filmmakers for making risky films because that's the future
of the movie business.
From StoliBabe: What are the chances of Escape From
Earth becoming a reality?
JCarpentr: If the audience wants to see Escape From Earth, we have a
story, and it's a hot one.
Dido: Hi, John, I love your films and music. It's exciting
to me that a director and writer can produce and compose his own scores. Your
results are holistic and sincere, transcendental/self-reliant. How are you able
to locate the confidence to create and make public what is so personal to you?
Are you ever worried that your projects will fail?
JCarpentr: Every director who's ever made a movie worries that they will fail,
but you can't let fear stop you.
MarkExact: What types of things did you have to get used
to when you went from independent films to big-budget "Hollywood" films?
JCarpentr: When you make a big-budget film, there's a lot more concern that the
movie is a commercial success. Therefore, you have a lot more people trying to
tell you how to make the movie. This sometimes can be annoying.
JANNAWQ: I loved Escape From L.A. and I wondered if you enjoyed working
with Bruce Campbell? He was great as the Surgeon General.
JCarpentr: I love working with Bruce Campbell and don't tell anybody, but those
are his real teeth.
NCescape: Mr. Carpenter, just a comment. I idolize you. I
long to be a filmmaker and wonder what your advice for a young filmmaker would
JCarpentr: My advice is, write screenplays that the studios want to make and
then insist that you direct them.
LSTMOM: Why did it take you so many years to do a sequel
to Escape From New York?
JCarpentr: Kurt and I had talked about a sequel for many years, but I guess we
needed the Northridge earthquake to really get us going.
MAlt64057: Mr. Carpenter, out of all the movies you
produced, what movie cost the most?
JCarpentr: Again, I don't produce movies; I direct movies. And the most
expensive movie I have directed is Escape From L.A.
MarkExact: Where do you see films and entertainment 10-20
years from now, considering the current trends in computer and digital
technology, virtual reality, etc.?
JCarpentr: All those hi-tech trends are simply tools to aid the filmmaker in
telling his story. We are story-driven and dependent on imagination and
Kaji54124: For JC, hi! Saw the film today. Thought it was
great fun! Kudos to all of you! I'm especially pleased you worked with Shirley
Walker (also responsible for the great music from Space: Above and Beyond).
Why not do it yourself this time?
JCarpentr: I felt Shirley was the perfect choice to help me, since I had very
little time to do it all myself, and she is such a fantastic composer.
KBarb2406: Regarding Eyes of Laura Mars, what is
the most outstanding thing you can tell us about Faye Dunaway? I have always
thought she was a great actress and a mysteriously appealing woman. What is she
like to direct?
JCarpentr: Since I didn't direct the Eyes of Laura Mars, I have no idea.
I was only the dumb screenwriter.
JWilsonB2: In an age of "composing for video," I respect
that you still film in the scope format. Is there any special reason aside from
it looking 200 times better?
JCarpentr: Widescreen is cinema, as far as I'm concerned. You go to the movies
to watch that big screen, not an image like your TV set.
VillageGr: How did you hook up with Dave Davies of the
Kinks and did he contribute music to Escape From L.A.?
JCarpentr: I met Dave in 1989 and we became friends. No, he didn't contribute to
the music to Escape From L.A.
MarkExact: Do you use a computer on a regular basis? How
do you like online interviews such as this?
JCarpentr: I love online interviews like this. But I don't use a computer
personally. I have a very beautiful human being typing all this in for me.
Hesproull: How old are you?
JCarpentr: I am 48 years old.
GTSamf: Will there be any romance in Escape From L.A.?
JCarpentr: There's plenty of romance in Escape From L.A. I suggest you
run right out now and see it!
KJSouza: Mr. Carpenter, I saw Escape From L.A.
today and enjoyed the film, but I felt it was more of a remake than a sequel to
Escape From New York. Was this intentional?
JCarpentr: I sure hope so.
EBerns697: What led you to put Jamie Lee Curtis in
JCarpentr: This was a casting idea of Debra Hill. I think it was because she was
Janet Leigh's daughter, and Janet Leigh starred in the ultimate slasher movie,
JMRCMR: Did you write Prince of Darkness?
JCarpentr: As I recall, someone named Martin Quatermass wrote the movie, but
when I get up in the morning and see Martin in the mirror, I wonder if it wasn't
me after all.
LSTMOM: Did you actually cast a part for Fresno Bob in the
JCarpentr: No, Fresno Bob was an offscreen legend and must remain that way.
Phibes 3: What became of the original Shape mask?
JCarpentr: I have no idea. My guess is, the Shape is still wearing it.
Kaji54124: Why the decision to "alter" Pam Grier's usual
JCarpentr: If you're talking about Pam's voice, we did lower it one and a half
octaves to make her sound more like a man. That's because she is playing a man
who has undergone an amazing sex-change operation.
KnyghtRdr: Halloween will never be viewed the same
because of John Carpenter!
JCarpentr: God bless you.
CCIntern: Hello, Mr. Carpenter, I have been a huge fan of
your movies for a long time. I loved Escape From New York and I'm really
looking forward to Escape From L.A. I think it's really great that you
took the time to talk with your fans. Do you think that Kurt Russell would come
on, too, to talk to his fans?
JCarpentr: I'm sure Kurt would come on if he were in town, but the lucky bum is
OTIS16: Congratulations on Escape From L.A. Out of
curiosity, in Big Trouble in Little China, when the Lightning God is
bonked with the statue, what is the meaning of the symbol formed by the
lightning as he falls down the hole?
JCarpentr: These are Chinese letters that spell out "John Carpenter."
Heyna: I feel The Thing was a great atmospheric
masterwork, which holds up to many viewings. Why was this film savaged so in
1980? Was it ahead of its time?
JCarpentr: I think you're right. Also, remember that that was the summer of
E.T. America wanted a good, up, cry.
Othello55: At what age did any creative spark glow within
you that brightened your path as a filmmaker?
JCarpentr: I was smitten by the movies at age 4. At age 8, I began directing
movies with my father's 8mm home movie camera.
KJSouza: John, who owns the rights to Someone's
Watching Me and how can we get it on video/laserdisc?
JCarpentr: Warner Brothers owns the rights. I don't think that it has been
released on video or laserdisc. I suggest you write to them and ask.
SVGFFG: Do you think anyone will ever be able to make a
movie for under a million that will become a hit, like you did?
JCarpentr: I definitely think it's possible. The most important thing about a
movie is its creative drive, and if someone has the courage to try it and the
luck to be in the right place at the right time, it could happen.
HuckHound: Hi, John. I had an impression of Nada from
They Live as being a somewhat Christ-like figure. I also get the same
impression from Travis Bickle. Nothing concrete to back this up, but I was
wondering if this is completely insane or not.
JCarpentr: John Nada was meant to be an everyman/working class character. I'm
not so sure about the Christ-like stuff.
Phibes 3: Right now, if you could do any film, no
restrictions, what would it be? A western?
JCarpentr: That's a very good question. I think if I had any choice in the
world, I would make the most erotic, pornographic movie ever made.
OTIS16: When you collaborated with Kurt Russell and Ms.
Hill in writing Escape From L.A., were you shooting for a more sardonic
and "light" tone than in the first film?
JCarpentr: We were shooting for more fun, more action, more excitement. Plus, we
had a bigger budget.
Rabspierr: I am a 13 year old kid from New Jersey. I just
saw In the Mouth of Madness for the first time. I loved it. I thought it
was an excellent movie.
JCarpentr: You're a wonderful human being.
Macleod23: Mr. Carpenter, what can you tell us of
Escape From Earth that I heard Kurt Russell speaking of on a CNN interview?
JCarpentr: I can't give away the plot of the film, but it would be the most
exciting science-fiction movie perhaps ever made, and, of course, Snake would
return once again.
PULPMAN66: What do you think of the critic's reviews of
Escape From L.A. so far?
JCarpentr: We have gotten some rave reviews, some fair reviews, and some bad
reviews. This is par for the course for a John Carpenter film. Some people don't
get my movies, and probably never will.
Othello55: Can you explain the wonder or process that
guides your creative vision?
JCarpentr: My process involves not analyzing my process. What I mean is, I try
to operate purely on instinct. My job is as a storyteller, and what I try to do
is pick the best stories I know how to tell.
OTTO WY: I trust you are enjoying the Hollywood
JCarpentr: Since I live in Hollywood, I have always loved the Hollywood
MoppyJON: Hey, I was wondering if there was symbolic
reason for why the badies in Big Trouble in Little China all wore lamp
shades on their head.
JCarpentr: Yes, there is a very deep, very significant, symbolic reason. But I
am not at liberty to discuss it with you.
EBerns697: Mr. Carpenter, is Kurt Russell the total
opposite of Snake Plissken?
JCarpentr: In many ways he is, and in many ways, he IS Snake Plissken. Kurt is a
great actor. He played Elvis Presley, Jack Burton, and Snake Plissken, not to
mention McReady, four of the coolest characters ever.
BDuke25: Despite his surprisingly good performance (for a
wrestler), what was the impulse or story behind the casting of Roddy Piper in
JCarpentr: I thought Roddy had a lot of charisma and ability, and I wanted to
give him a chance. I think he did a great job.
BoLorKay: Mr. Carpenter, was there a point during the
filming of your great film Halloween that you suspected it was going to
be something special?
JCarpentr: I never knew. All I was trying to do was make a movie.
Rad40: How much did the movie cost to make?
JCarpentr: Escape From L.A. cost $50 million.
JediPirate: If you could make a sequel to any of your
other films, what movie would you make a sequel to?
JCarpentr: The Thing.
JWilsonB2: What is your secret to good story telling?
JCarpentr: Whew. That's a tough one. Most of the time I have to rely on my own
instinct. Good storytelling is something that compels the audience and moves
them emotionally in some way. Also, it can get them to think. Otherwise, I
really can't analyze it any better.
JWilsonB2: Make a western!
JCarpentr: I will take it into serious consideration.
EBerns697: Mr. Carpenter, would you be interested in
directing a comedy?
NCescape2: How did you feel about working with Debra Hill
again after so many years?
JCarpentr: The last movie Debra and I made together was Escape From New York.
It was fun to work with her again after all those years.
BJC66x102: Was the hang glider bit a tongue-in-cheek
reference to Wizard of Oz?
JCarpentr: No, but, on the other hand, it's a good idea, so I'll say yes.
KnyghtRdr: Is there sheet music available for your score
JCarpentr: There might be; I'm not sure. Since I don't read or write music, it
would have to come from someone else.
GDoig3867: Can we get any of your original scores on CD?
JCarpentr: Yes, many of my scores are available. Check with your record store.
Infinit22: Is it true that you use street names from and
around Bowling Green, Kentucky?
JCarpentr: I sometimes do. I sometimes use friends' names for characters.
BDuke25: How did you begin the collaborative history with
JCarpentr: We met on Escape From New York and worked together for several
years. I really enjoyed working with Alan.
Heyna: I hear you love to fly helicopters. Did you do
"cameo work" in Escape From L.A. as a pilot?
JCarpentr: Unfortunately, there are no real helicopters in Escape From L.A.
Corklab: With the new technology for special effects, how
different was it to make Escape From L.A. versus Escape From New York?
JCarpentr: The new technology is a helpful tool, but it is still just a tool.
The size and scope of Escape From L.A. was bigger than New York
because we had a bigger budget.
Othello55: Did you attend film school?
JCarpentr: Yes, I went to the USC Department of Cinema. It was a great learning
AOLiveMC11: Thanks for answering our audience questions
tonight, John Carpenter!
JCarpentr: I really enjoyed being here. Thank you for asking the questions,
everybody, and I'll see you at the movies! Best wishes, JC.
AOLiveMC11: Goodnight, everyone!